Lisa Lisa & Cult Jam

Lisa Lisa & Cult Jam were a dance, R&B and pop music group from New York during the mid-’80s and ’90s that consisted of singer Lisa Lisa (born Lisa Velez on January 15, 1967 in Hell’s Kitchen, New York), guitarist\bassist Alex “Spanador” Moseley and drummer\keyboardist Mike Hughes.

The group formed when Mike met Lisa Lisa (who was 14 years old at the time) at an underage club in New York called Funhouse and asked her to audition for production team and music group Full Force.

Lisa Lisa took the subway to a house in Brooklyn, New York (which was her first trip to the borough without her protective older brother, who would later become her bodyguard) and successfully auditioned for the group. They later signed a record deal with Columbia Records.
In November of 1984, Lisa Lisa & Cult Jam released their debut single, “I Wonder If I Take You Home.” It was first released on the compliation album, “Breakdancing” that was released internationally by the European division of CBS Records.

After American DJs began playing “I Wonder If I Take You Home”, it became a hit on the dance charts, topping Billboard’s Hot Dance\Disco Club Play chart for a week in June of 1985, staying on the charts for 13 weeks.

The song also peaked at #34 on the Billboard Hot 100, #12 on the UK Singles chart, topped Billboard’s Hot Dance Music\Maxi-Singles Sales chart and #6 on Billboard’s Black Singles chart, staying on the chart for 22 weeks. It was certified Gold by the RIAA, and was moderately successful in the Netherlands as well.
Their follow-up single, “Can You Feel the Beat” peaked at #6 on Billboard’s Hot Dance\Disco Club Play chart, staying on the chart for 13 weeks. It also peaked at #69 on the Billboard Hot 100, #97 on the UK Singles chart, #6 on Billboard’s Hot Dance Music\Maxi-Singles Sales chart and #40 on Billboard’s Hot Black Singles chart, staying on the chart for 26 weeks.
On August 2, 1985, Lisa Lisa & Cult Jam released their debut studio album, “Lisa Lisa & Cult Jam with Full Force” which peaked at #52 on the Billboard 200 and #16 on Billboard’s R&B Albums chart.
The last single released from the album, “All Cried Out” peaked at #8 on the Billboard Hot 100, becoming their first pop hit. It also peaked at #3 on Billboard’s Hot Black Singles chart, staying on the chart for 23 weeks. In 1997, R&B group Allure covered the song for their self-titled debut album which was a hit on the pop and R&B charts.
In March of 1987, Lisa Lisa & Cult Jam released the single, “Head to Toe” which topped the Billboard Hot 100 for a week in October of 1987, Billboard’s Hot Black Singles chart for 2 weeks, (staying on the chart for 17 weeks) and Billboard’s Hot Dance Music\Club Play chart for a week, staying on the chart for 11 weeks.

Internationally, the song topped the charts in Canada, and was moderately successful in the United Kingdom, Australia, Belgium, New Zealand and the Netherlands.
On April 8, 1987, the group released their sophomore album, “Spanish Fly” which peaked at #7 on the Billboard 200 and Billboard’s R&B Albums chart simultaneously. It was certified Platinum in the United States and Gold in Canada.
The follow-up single from the album, “Lost in Emotion” became Lisa Lisa & Cult Jam’s second number-one hit on the Billboard Hot 100, topping the chart for a week in October of 1987.

During that same month, the song also topped Billboard’s Hot Black Singles for a week, staying on the chart for 17 weeks. It also peaked at #58 on the UK Singles chart, #8 on Billboard’s Hot Dance Music\Club Play chart (staying on the chart for 9 weeks), #3 on Billboard’s Hot Dance Music\Maxi-Singles Sales chart and #27 on Billboard’s Adult Contemporary chart.
The third single, “Someone to Love Me for Me” peaked at #78 on the Billboard Hot 100 and #7 on Billboard’s Hot Black Singles chart, staying on the chart for 15 weeks.
The fourth single, “Everything Will B-Fine” peaked at #22 on Billboard’s Hot Dance Music\Club Play chart, staying on the chart for 7 weeks. It also peaked at #31 on Billboard’s Hot Dance Music\Maxi-Singles Sales chart and #9 on Billboard’s Hot Black Singles chart, staying on the chart for 12 weeks.
The last single, “I Promise You” was released in the Netherlands and Spain, but didn’t appear to make any impact on the charts.
In 1988, they were featured on the soundtrack to the film, “Caddyshack II” with the track, “Go For Yours” which peaked at #19 on Billboard’s Hot Black Singles chart in July of 1988, staying on the chart for 10 weeks.
On April 12, 1989, Lisa Lisa & Cult Jam released their third studio album, “Straight to the Sky” which peaked at #77 on the Billboard 200 and #18 on Billboard’s R&B Albums chart.
The lead single, “Little Jackie Wants to Be a Star” peaked at #29 on the Billboard Hot 100, #92 on the UK Singles chart and #3 on Billboard’s Hot Black Singles chart, staying on the chart for 14 weeks.
The second single, “Just Git it Together” peaked at #7 on Billboard’s Hot Dance Music\Club Play chart, staying on the chart for 11 weeks. It also peaked at #42 on Billboard’s Hot Dance Music\Maxi-Singles Sales chart and #16 on Billboard’s Hot Black Singles chart, staying on the chart for 11 weeks.
The last single from the album, “Kiss Your Tears Away” peaked at #26 on Billboard’s Hot Black Singles chart, staying on the chart for 11 weeks.
In 1991, Lisa Lisa & Cult Jam released the single, “Let the Beat Hit ‘Em” which topped Billboard’s Hot Dance Music\Club Play chart for 3 weeks in July of 1991, staying on the chart for 13 weeks.

The song also topped Billboard’s Hot R&B Singles chart for a week in September of 1991 (staying on the chart for 18 weeks), topped Billboard’s Hot Dance Music\Maxi-Singles chart and peaked at #17 on the UK Singles chart.
On August 20, 1991, they released their last studio album, “Straight Out of Hell’s Kitchen” which peaked at #133 on the Billboard 200 and #29 on Billboard’s R&B Albums chart.
The follow-up single, “Where Were You When I Needed You” peaked at #65 on Billboard’s Hot R&B Singles chart, staying on the chart for only 6 weeks.
The last two singles released from the album: “Forever” and “Something ‘Bout Love” didn’t make the charts at all. During that same year, Lisa Lisa & Cult Jam disbanded, and went on to pursue separate projects.
In 1993, Lisa Lisa released her first solo single, “Skip to My Lu” which peaked at #5 on Billboard’s Bubbling Under Hot 100 Singles chart, #34 on the UK Singles chart and #38 on Billboard’s Hot R&B Singles chart, staying on the chart for 16 weeks.
On January 18, 1994, she released her debut solo album, “LL77” on the Pendalum Records label which didn’t appear to chart.
The follow-up single from the album, “When I Fell in Love” peaked at #28 on Billboard’s Hot Dance Music\Club Play chart, staying on the chart for 6 weeks. It also peaked at #96 on Billboard’s Hot R&B Singles chart in May of 1994, staying on the chart for 16 weeks.

In 2001, Lisa Lisa starred on the Nickelodeon sitcom, “Taina” portraying the role of Gloria Morales, Taina’s mother. The show lasted for one season and ended in 2002. She also guest-starred on an episode of “Law & Order” in 2003.
On July 14, 2009, she released her sophomore album, “Life ‘n Love” on the Mass Appeal Entertainment label. The track, “Can’t Wait” (featuring Pitbull) was released as a single, but didn’t make the charts.

In 2019, Lisa Lisa signed with Snoop Dogg’s Army (which is a part of the Snoop Dogg Entertainment Company). These days, she is performing with her band, SoDisrespectful and her dance ensemble. It’s unknown what Mike Hughes and Alex Moseley are currently up to these days.

To see Lisa Lisa’s official website, go to:
https://www.thereallisalisa.com/

To follow Lisa Lisa on Facebook, go to:
https://www.facebook.com/lisalisall77

To follow Lisa Lisa on Twitter, go to:
https://twitter.com/lisalisall77

To follow Lisa Lisa on Instagram, go to:
https://www.instagram.com/lisalisall77/

To see a video for “I Wonder If I Take You Home”, go to:

To see a video for “Can You Feel the Beat”, go to:

To see a video for “All Cried Out”, go to:

To see a video for “Head to Toe”, go to:

To see a video for “Lost in Emotion”, go to:

To see a video for “Someone to Love Me for Me”, go to:

To see a video for “Everything Will B-Fine”, go to:

To see a video for “I Promise You”, go to:

To see a video for “Go For Yours”, go to:

To see a video for “Little Jackie Wants to Be a Star”, go to:

To see a video for “Just Git It Together”, go to:

To see a video for “Kiss Your Tears Away”, go to:

To see a video for “Let The Beat Hit ‘Em”, go to:

To see a video for “Where Were You When I Needed You”, go to:

To see a video for “Forever”, go to:

To see a video for “Something ’bout Love”, go to:

To see a video for “Skip to My Lu”, go to:

To see a video for “When I Fell in Love”, go to:

To see a video for “Can’t Wait”, go to:

Guy

Guy is an R&B group from Harlem, New York during the late ’80s and early ’90s.

The group originally consisted of Teddy Riley (born Edward Theodore Riley on October 8, 1967 in New York City), Aaron Hall (born Aaron Robin Hall II on August 10, 1964) and Timmy Gatling (born on August 10, 1966).

Teddy and Timmy both grew up in the Harlem section of New York City where they came from musical families. They later performed in local live bands where they attracted the attention of music related businessman, Gene Griffin (who was searching for young artists and owned a record label called Sounds of New York).

The two of them were offered a record contract with Sounds of New York to become part of an R&B group called Kids At Work (which also featured lead singer Clurel Henderson). The group released their self-titled album in 1984, but they eventually dropped out of the label in relation to Gene Griffin’s sudden incarceration and lack of management. 

After that, Teddy went on to produce music for other projects, including rapper Doug E. Fresh’s 1985 song, “The Show.”

Around the late ’80s, Timmy would reunite with Gene Griffin, who offered him a new deal to create a band that Timmy had in mind. At the time, he worked in the shoe department at the Abraham & Straus clothing store in New York where he discovered Aaron Hall (who had musical experience from singing in gospel choirs at the Gospel Tabernacle in Jamaica, Queens, New York).

Timmy introduced Aaron to Teddy, and the three of them decided to form a group by the name of Guy, which is based on their fashion statement that they got from business names of local fashion shops in Harlem.

Gene Grififn introduced the group to Andre Harrell, the founder of Uptown Records, who immediately signed them to the label. After signing their record deal, Guy moved to Washington, D.C. to live with Gene; however, they found themselves facing issues as Timmy and Teddy argued with each other while recording their debut album.

In April of 1988, Guy released their debut single, “‘Round and ‘Round (Merry Go ‘Round of Love)” which peaked at #24 on Billboard’s Hot Black Singles chart, staying on the chart for 11 weeks.

A month later, they released their follow-up single, “Groove Me” which peaked at #4 on Billboard’s Hot Black Singles chart, staying on the chart for 20 weeks. It also peaked at #17 on Billboard’s Hot Dance Music\Maxi-Singles Sales chart and #33 on Billboard’s Hot Dance Music\Club Play chart, staying on the chart for 5 weeks.

On June 13, 1988, Guy released their self-titled debut album which topped Billboard’s R&B Albums chart and #27 on the Billboard 200. It was certified double platinum by the RIAA.

The third single, “Teddy’s Jam” peaked at #5 on Billboard’s Hot Black Singles chart,staying on the chart for 18 weeks. The song also peaked at #8 on Billboard’s Hot Dance Music\Maxi-Singles Sales chart and #25 on Billboard’s Hot Dance Music\Club Play chart, staying on the chart for 8 weeks.

The fourth single from the album, “I Like” peaked at #2 on Billboard’s Hot Black Singles chart, staying on the chart for 17 weeks. It also peaked at #70 on the Billboard Hot 100, #9 on Billboard’s Hot Dance Music\Maxi-Singles Sales chart and #36 on Billboard’s Hot Dance Music\Club Play chart, staying on the chart for 7 weeks.

The fifth single, “Spend the Night” peaked at #35 on Billboard’s Hot Dance Music/Maxi-Singles Sales chart and #15 on Billboard’s Hot Black Singles chart, staying on the chart for 16 weeks. The last single from the album, “Don’t Clap … Just Dance” didn’t make the charts at all.

During that time, Timmy was forced out of the group by Gene Griffin after refusing to sign the management contract (which gave Griffin full control of their publishing and income). Afterwards, he was replaced by Aaron’s brother, Damian.

By 1988, Teddy found himself in strong demand as a producer and songwriter. He produced Bobby Brown’s sophomore album, “Don’t Be Cruel” which hit number-one on the Billboard 200.

In 1989, Guy was featured on the soundtrack to the film, “Do The Right Thing” with the track, “My Fantasy” which topped Billboard’s Hot Black Singles chart for a week in September of that same year, staying on the chart for 20 weeks.

It also peaked at #62 on the Billboard Hot 100, #81 on the UK Singles chart and #6 on Billboard’s Hot Dance Music\Maxi-Singles Sales chart.

During that same year, Guy fired Gene Griffin, claiming that he allocuted funds from the group. While recording their next studio album, Aaron (who was angry at what Gene did) didn’t sing on half of the album which caused Teddy to assume his duties as lead vocalist for the remainder of it. 

According to Aaron: “There came a time where I just did not want to sing a single note. To be honest, it was the money. It just became too depressing. We were the biggest group in the world and we were flat broke. It took its toll.”

Things got out of control in July of 1989 while on tour with New Edition. Although New Edition were the headliners of the tour, Guy happened to upstage them a few dates into the tour which created a rivalry backstage. 

The rivalry ultimately turned deadly when Ronald Byrd (one of New Edition’s production managers) shot and killed Anthony Bee, who was a member of Guy’s security detail. In March of 1990, Byrd was found guilty of voluntary manslaughter. 

In August of that same year, Teddy’s brother, Brandon Mitchell (who was a member of Wrecks-n-Effect) was shot to death at the age of 20.

In October of 1990, Guy released the single, “I Wanna Get With U” which peaked at #50 on the Billboard Hot 100 and #4 on Billboard’s Hot Black Singles chart, staying on the chart for 18 weeks. It also peaked at #12 on Billboard’s Hot Dance Music\Maxi-Singles Sales chart and #27 on Billboard’s Hot Dance Music\Club Play chart, staying on the chart for 9 weeks.

On November 13, 1990, Guy released their sophomore album, “The Future” which peaked at #16 on the Billboard 200 and topped Billboard’s R&B Albums chart. It was certified platinum by the RIAA by January of 1991. One of the tracks from the album, “Long Gone” was dedicated to Anthony Bee and Brandon Mitchell.

The second single, “Let’s Chill” peaked at #41 on the Billboard Hot 100 and #3 on Billboard’s Hot R&B Singles chart, staying on the chart for 16 weeks. It also peaked at #10 on Billboard’s Hot Dance Music\Maxi-Singles Sales chart.

The third single from the album, “Do Me Right” (featuring Heavy D) peaked at #2 on Billboard’s Hot R&B Singles chart, staying on the chart for 16 weeks. The song also peaked at #47 on Billboard’s Hot Dance Music\Club Play chart (staying on the chart for 2 weeks) and #18 on Billboard’s Hot Dance Music\Maxi-Singles Sales chart.

The fourth single, “D-O-G Me Out” peaked at #8 on Billboard’s Hot R&B Singles chart (staying on the chart for 16 weeks) and #15 on Billboard’s Hot Dance Music\Maxi-Singles Sales chart. The fifth single, “Her” peaked at #58 on the UK Singles chart, staying on the chart for 4 weeks.

The last single from the album, “Let’s Stay Together” peaked at #39 on Billboard’s Hot Dance Music\Maxi-Singles Sales chart and #16 on Billboard’s Hot R&B Singles chart, staying on the chart for 19 weeks.

The song, “Teddy’s Jam 2” was released promotionally, but didn’t make any impact on the charts.

In 1991, Guy appeared in the film, “New Jack City” performing the title song which was also featured on the soundtrack. By 1992, the group had disbanded, later citing “the tragedy of our ex-manager” (Gene Griffin) as the reason. 

During that same year, they recorded a cover version of Chris Kenner’s 1962 song, “Land of a Thousand Dances” (which was later made popular by Wilson Pickett) for the soundtrack to the animated film, “FernGully: The Last Rainforest.”

After their breakup, Teddy went on to form the R&B group, Blackstreet while the Hall brothers each released solo albums.

In 1995, the group reunited and contributed the song, “Tell Me What You Like” for the soundtrack to the FOX television series, “New York Undercover” where it peaked at #66 on Billboard’s Hot R&B\Hip-Hop Airplay chart, staying on the chart for 2 weeks.

Afterwards, there were plans for Guy to record another album; however, while recording in Trinidad, the plans were halted after Aaron refused to record the song, “No Diggity” which ended up becoming a number-one hit for Blackstreet.

In 1999, they reunited for a second time and recorded the song, “The Best” for the soundtrack to the film, “Wild Wild West.”

In October of that same year, they released the single, “Dancin” which became moderately successful on the pop charts, peaking at #19 on the Billboard Hot 100 (making it their only highest charting single on the chart to date). 

The song also peaked at #17 on Billboard’s Rhythmic Top 40 chart and #4 on Billboard’s Hot R&B Singles & Tracks chart, staying on the chart for 20 weeks.

On January 25, 2000, Guy released their third and last studio album to date, “Guy III” which peaked at #13 on the Billboard 200 and #5 on Billboard’s R&B Albums chart.

At the time of the album’s release, not all of the members were on the same page. Teddy remained hopeful that Blackstreet would record another album despite the friction between him and group member Chauncey Hannibal. Meanwhile, Aaron insisted on recording another solo album while Damion was interested in pursuing an acting career.

The follow-up and last single from the album, “Why You Wanna Keep Me from My Baby” peaked at #50 on Billboard’s Hot R&B\Hip-Hop Singles & Tracks chart, staying on the chart for 20 weeks. At that point, Teddy left the group again, and only Aaron and Damion appeared in the music video for the song.

In a 2012 interview with “Vibe” magazine, Teddy blamed the failure of Guy’s third album on MCA Records, stating: 

“We tried to do a Guy reunion album. But I don’t think the record company did the third album any justice. MCA didn’t really get us at that point. And they were promoting us like we were jazz artists. They took us everywhere else, but to our audience. You have to know your demographics for that group. They didn’t get us on BET like they were supposed to. They were trying to get us on VH-1, but they weren’t checking for us. We had our radio record, ‘Dancin’’, that couldn’t get on BET. It was just a failure.”

Afterwards, Guy disbanded again. Since 2005, they has reformed periodically every now and then. 

In August of 2014, Teddy announced on Instagram that he reunited with the Hall brothers to reform Guy, adding that a new website and tour would be coming soon; however, those plans appeared to have never materialized. 

Since then, the members of the group have returned to doing individual projects.

To see Teddy Riley’s official website, go to:

https://www.teddyriley.com/

To follow Timmy Gatling on Instagram, go to:

https://www.instagram.com/timmygatling_guy/

To follow Damion Hall on Instagram, go to:

https://www.instagram.com/damionhall_guy/

To see a video for “‘Round and ‘Round (Merry Go ‘Round of Love)”, go to:

To see a video for “Groove Me”, go to:

To see a video for “I Like”, go to:

To see a video for “Spend the Night”, go to:

To see a video for “Don’t Clap … Just Dance”, go to:

To see a video for “My Fantasy”, go to:

To see a video for “I Wanna Get with U”, go to:

To see a video for “Let’s Chill,” go to:

To see a video for “Do Me Right”, go to:

To see a video for “D-O-G Me Out”, go to:

To see a video for “Her”, go to:

To see a video for “Let’s Stay Together”, go to:

To see a video for “Teddy’s Jam 2”, go to:

To see a video for “Land of a Thousand Dances”, go to:

To see a video for “Tell Me What You Like”, go to:

To see a video for “The Best”, go to:

To see a video for “Dancin'”, go to:

To see a video for “Why You Wanna Keep Me from My Baby”, go to:

[updated on 12/30/2021]

Brenda K. Starr

Brenda K. Starr (born Brenda Joy Kaplan on October 15, 1966 in New York City, New York) is a female freestyle\dance\pop singer from the ’80s.

Her father, Harvey Kaye was an original member of the 1960s band, the Spiral Starecase (who were well-known for their 1969 hit song, “More Today Than Yesterday”).

Brenda began singing when she was 8 years old. By the time she was 12 years old, she had auditioned for various television commercials as well in theater and had the opportunity to make her first music demo. She was also a member of a break-dance group called the Dynamic Dolls.

After meeting singer Harry Belafonte in the early ’80s when she was just 14 years old, she earned a role in his 1984 film, “Beat Street.” Her appearance in the film gained some attention which led to her getting a record deal with Mirage Records.
In 1985, Brenda released her debut studio album, “I Want Your Love” which didn’t appear to make the Billboard album charts.
The first single from the album, “Pickin’ Up Pieces” peaked at #9 on Billboard’s Hot Dance/Disco Club Play chart, staying on the chart for 11 weeks. It also peaked at #9 on Billboard’s Hot Dance Music\Maxi-Singles Sales chart and #83 on Billboard’s Hot Black Singles chart, staying on the chart for only 4 weeks.
The follow-up single from the album, “Suspicion” was released, but it failed to make any impact on the charts at all.
In 1987, Brenda released her self-titled sophomore album on MCA Records which peaked at #57 on the Billboard 200 chart.
The lead single from the album, “Breakfast in Bed” peaked at #18 on Billboard’s Hot Dance Music\Club Play chart (staying on the chart for 8 weeks) and #29 on Billboard’s Hot Dance Music\Maxi-Singles Sales chart. The Spanish-language version, “Desayuno De Amor” peaked at #6 on Billboard’s Latin Songs chart.
The follow-up single, “I Still Believe” peaked at #13 on the Billboard Hot 100 and #14 on Billboard’s Adult Contemporary chart, becoming Brenda’s highest chart appearance to date. The Spanish-language version, “Yo Cre En Ti” peaked at #10 on Billboard’s Latin Songs chart.

Eleven years later in 1999, singer Mariah Carey’s cover version of “I Still Believe” was successful on the charts, peaking at #4 on the Billboard Hot 100. In the late ’80s, Brenda helped Mariah (who was her backup singer at the time) score a record deal with Sony\Columbia Records by giving the executive of the label, Tommy Mottola a demo tape of Mariah’s to him and the rest is history.
The third single from the album, “What You See Is What You Get” which peaked at #24 on the Billboard Hot 100. It also peaked at #6 on Billboard’s Hot Dance Music\Club Play chart (staying on the chart for 12 weeks) and #11 on Billboard’s Hot Dance Music\Maxi-Singles Sales chart.
Two more singles from the album: “Straight From the Heart” and “You Should Be Loving Me” (which was featured on the soundtrack to the 1989 film, “She’s Out of Control”) were released, but didn’t make the Billboard charts at all.

During that same year, Brenda contributed the song, “Sweet Surrender” to the soundtrack for the film, “License to Drive.”
In 1991, Brenda released her sophomore album, “By Heart” on Epic Records which was a commercial flop, failing to make the charts at all. Despite being considered her best English-language album and one of her best moments overall, it didn’t gain commercial success because it didn’t get the same promotion that her previous album received.
The only single released from the album, “If You Could Read My Mind” failed to make the Billboard charts at all. She was also featured on George Lamond’s song, “No Matter What” which peaked at #49 on the Billboard Hot 100.

After Brenda was dropped from her record label, she worked odd jobs for several years to help support herself and her family such as working at a mall in New Jersey. In 1993, she was featured on Concept of One’s single, “So in Love.”
To help revive her career, Brenda learned how to speak Spanish to re-invent herself as a salsa\tropical and Latin pop singer. In 1997, she released her first Spanish-language album, ”Te Sigo Esperando” on Parcha Records.

The lead single, “Herida” became a hit, topping Billboard’s Latin Tropical/Salsa Airplay chart. It also peaked at #28 on Billboard’s Latin Airplay chart and #14 on Billboard’s Latin Pop Airplay chart.
In 1998, Brenda released her fourth studio album, “No lo Voy a Olvidar” which didn’t appear to make the charts at all.
The lead single, “Si Me Preguntan Por Ti” peaked at #31 on Billboard’s Latin Airplay chart and #10 on Billboard’s Tropical Airplay chart.
The follow-up single, “Senor Amante” peaked at #37 on Billboard’s Latin Airplay chart and #15 on Billboard’s Tropical Airplay chart. A Salsa version of Brenda’s hit song, “I Still Believe” titled “Creo en Ti” peaked at #20 on Billboard’s Tropical Airplay chart.
In 2000, Brenda released her fifth album, “Petalos de Fuego” which peaked at #15 on Billboard’s Tropical Albums chart. The title song peaked at #20 on Billboard’s Tropical Airplay chart.
In 2002, she released her sixth studio album, “Temptation” which peaked at #28 on Billboard’s Top Latin Albums chart and #3 on Billboard’s Tropical\Salsa Albums chart. It won a Latin Grammy Award for “Best Salsa Album.”
The first single, “Por Es Hombre” (featuring Tito Nieves & Victor Manuelle) topped Billboard’s Tropical Airplay chart for 8 weeks. It also peaked at #11 on Billboard’s Latin Airplay chart and #33 on Billboard’s Latin Pop Airplay chart.
The follow-up single, “Rabia” peaked at #11 on Billboard’s Tropical Airplay chart. The last charting single from the album, “Gata Bajo la Lluvia” peaked at #24 on Billboard’s Tropical Airplay chart.

At the 2003 Latin Billboard Music Awards, “Por Es Hombre” won the awards for “Hot Latin Track of the Year, Vocal Duo” and “Tropical/Salsa Airplay Track of the Year, Female.” It was also nominated for “Tropical/Salsa Album of the Year, Female.”
In 2005, Brenda released her seventh album, “Atrevete a Olvidarme” which peaked at #9 on Billboard’s Tropical Albums chart. The lead single, “Tu Eres” peaked at #19 on Billboard’s Tropical Airplay chart and earned her a nomination for “Best Salsa Single” at the 2006 Billboard Latin Music Awards.

After leaving the Sony Record Label, she took a hiatus from the music scene, raising her family and hosting her own radio show called “Under the Stars with Brenda K. Starr” on New York radio station Mix 102.7.

In 2011, Brenda released her first single in ten years called “Body of Proof.” In 2016, her daughter, Gianna Isabella was a contestant during the final season of “American Idol” where she made it to the top 10 before she was eliminated from the competition.
These days, Brenda is still active with her music career. In December of 2021, she released her eighth studio and first holiday album, “Christmas Spectacular.”

To see Brenda’s official website, go to:
http://www.brendakstarr.com/

To see the video for “Pickin’ Up Pieces,” go to:

To see the video for “Suspicion”, go to:

To see the video for “Breakfast in Bed,” go to:

To see the video for “I Still Believe,” go to:

To see the video for “What You See Is What You Get,” go to:

To see the video for “Straight from The Heart,” go to:

To see the video for “You Should Be Loving Me,” go to:

To see the video for “Sweet Surrender,” go to:

To see the video for “No Matter What” (with George Lamond), go to:

To see the video for “If You Could Read My Mind,” go to:

To see the video for “Herida,” go to:

To see the video for “Si Me Preguntan Por Ti,” go to:

To see the video for “Senor Amante,” go to:

To see the video for “Petalos de Fuego,” go to:

To see the video for “Por Ese Hombre” (with Tito Nieves and Victor Manuelle), go to:

To see the video for “Rabia,” go to:

To see the video for “Gata Bajo la Lluvia,” go to:

To see the video for “Atrevete a Olvidarme,” go to:

To see a video for “Mary Did You Know” (from her “Christmas Spectacular” album), go to:

Sly Fox

Sly Fox were an pop\dance music duo from the mid-’80s that consisted of Gary “Mudbone” Cooper and Michael Camacho. They were formed by British music producer, Ted Currier and presented as wholesome, clean-living teen idols.

Prior to the duo’s formation, Gary was known for working with George Clinton’s Parliament-Funkadelic, the P-Funk All Stars and Bootsy’s Rubber Band while Michael was a protégé of David Bowie.
In December of 1985, Sly Fox released their only studio album, “Let’s Go All the Way” on Capitol Records which peaked at #31 on the Billboard 200 and #34 on Billboard’s R&B Albums chart.
The title song became their only hit song to date, peaking at #7 on the Billboard Hot 100, #3 on the UK Singles chart and #57 on Billboard’s Hot Black Singles chart, staying on the chart for 9 weeks.
The follow-up single, “Como Tu Te Llama? (What Is Your Name)” peaked at #13 on Billboard’s Hot Dance\Disco Club Play chart, staying on the chart for 9 weeks.
The last single from the album, “Stay True” peaked at #94 on the Billboard Hot 100, making it their last appearance on the Billboard charts to date.

By 1986, Sly Fox disbanded due to issues with their management. In 1989, they briefly reformed in Cincinnati, Ohio, but ended up separating again due to artistic differences.

In the years since, Gary Cooper is still active with his music career; he also released a solo album, “Fresh Mud” in 2006.

Michael Camacho pursued acting, directing and singing; he released a solo album, “Just for You” in 2007 and started a funk music band called The Funky Foxes. He also opened a bar and live music venue called Rue-B in New York City which closed down in 2021, but will be relocating to a different location.

To see Gary’s official website, go to:
https://garymudbonecooper.com/

To follow Michael on Instagram, go to:
https://www.instagram.com/michael.f.camacho/

To see a video for “Let’s Go All the Way”, go to:

To see a video for “Como Tu Te Llama? (What Is Your Name)”, go to:

To see a video for “Stay True”, go to:

Regina

Regina (born Regina Marie Cuttita in Brooklyn, New York) is a dance\pop music singer from the mid ’80s. She attended Marymount Manhattan College in New York City where she majored in theater.
During the late ’70s, she began recording and performing with her new wave band, Regina Richards and Red Hot. The band regularly performed in venues in New York and released their only self-titled album in 1981 on A&M Records.

After dissolving the band, Regina focused on writing songs for other artists and helped them record demos with her former bandmate, producer Stephen Bray. One of the artists who approached them was Madonna, who was trying to secure a record deal at the time and Regina helped her with vocal harmonies on her demos.

In 1986, Regina and Stephen co-wrote the song, “Baby Love” (along with Mary Kessler), initially planning to sell it to Madonna or another singer; however, Atlantic Records requested that Regina sing the song herself.
In May of that same year, “Baby Love” was released as a single which peaked at #10 on the Billboard Hot 100 and topped Billboard’s Hot Dance\Disco Club Play chart for 2 weeks in late June of that same year, staying on the chart for 11 weeks.

The song also peaked at #50 on the UK Singles chart, #3 on Billboard’s Hot Dance Music\Maxi-Singles Sales chart and #30 on Billboard’s Hot Black Singles chart, staying on the chart for 18 weeks. In 1991, Australian pop singer Danni Minogue covered “Baby Love” for her album, “Love and Kisses” which peaked at #14 on the UK Singles chart and #26 on the ARIA Singles chart in Australia.
During that same year, Regina released her debut studio album, “Curiosity” which peaked at #102 on the Billboard 200.
The follow-up single, “Beat of Love” peaked at #40 on Billboard’s Hot Dance\Disco Club Play chart, staying on the chart for 4 weeks. The last three singles from the album: “Say Goodbye” (which was originally written with Kenny Rogers in mind), “Head On” and “Sentimental Love” didn’t make the charts.
In 1987, Regina appeared in an anti-drug public service announcement with McGruff the Crime Dog which aired well into the ’90s. In 1988, she released the single, “Extraordinary Love” which peaked at #11 on Billboard’s Hot Dance Music\Club Play chart, staying on the chart for 9 weeks).
In 1990, she released her last single to date, “Track You Down” on the Centurion Records label which didn’t make any impact on the charts at all.

In October of that same year, Regina married her husband, Dr. Mark R. Lee and later had four children. These days (according to research), she lives in Austin, Texas and is working on a book about her life.

To follow Regina on Facebook, go to:
https://www.facebook.com/reginarichardsofficial

To follow Regina on Instagram, go to:
https://www.instagram.com/reginarichardsofficial/

To follow Regina on Twitter, go to:
https://twitter.com/reginarofficial

To see a video for “Baby Love”, go to:

To see a video for “Beat of Love”, go to:

To see a video for “Say Goodbye”, go to:

To see a video for “Head On”, go to:

To see a video for “Sentimental Love”, go to:

To see a video for “Extraordinary Love”, go to:

To see a video for “Track You Down”, go to:

To see a video for “Ton of Bricks” (as Regina Richards And Red Hot), go to:

Oaktown's 3.5.7.

Oaktown 3.5.7 are a female hip-hop/rap group from the late’ 80s/early ’90s. They were formed by MC Hammer in 1989. 

The members of the group consisted of Phyllis “Lil’ P” Charles, Tabatha “Terrible T” King, and Djuana “Sweet L.D.” Johnican. The name “Oaktown” is a nickname for Oaktown, California and .357 Magnum was chosen to represent their powerful dance moves.

The girls began their career as background dancers for MC Hammer. They were featured in his music videos for the songs “Pump it Up,” “Let’s Get it Started,” and “Turn This Mutha Out.” 

Their performances as dancers and their creativity as lyricists drew interest from MC Hammer around the time when he was searching for a female singing group to create. 

After hearing Lil’ P rapping on the microphone rehearsing for a dancing show, MC Hammer decided to present the idea to the girls about becoming singers and shortly after this suggestion, Oaktown 3.5.7. was formed.

In 1989, Oaktown’s 3.5.7. released their debut studio album, “Wild & Loose” which peaked at #126 on the Billboard 200 and #23 on Billboard’s R&B Albums chart.

The lead single, “Yeah, Yeah, Yeah” peaked at #9 on Billboard’s Hot Rap Singles chart. When it was time to film the video for the song, Lil’ P left the group to get married. 

Afterwards, two new members, Sweet P and VC were added to the group, making it a quartet. After the first single was released, VC broke her leg and never returned while Sweet P left to replace Sassy C of J.J. Fad.

By the time their follow-up single, “3-5-7 Straight at You” was released, the group was down to a duo: Terrible T and Sweet LD. The song started to get heavy video and club play which prompted two more singles from the album to be released.

The third single, “Juicy Gotcha Crazy” (featuring guest vocals by B Angie B) peaked at #7 on Billboard’s Hot Rap Singles chart, #48 on Billboard’s Hot Dance Music/Maxi-Singles Sales chart, and #42 on Billboard’s Hot Black Singles chart, staying on the chart for 16 weeks.

The last single from the album, “We Like It” peaked at #20 on Billboard’s Hot Rap Singles chart and #23 on Billboard’s Hot Dance Music\Club Play chart, staying on the chart for 7 weeks. It also peaked at #41 on Billboard’s Hot Dance Music/Maxi-Singles Sales chart and #79 on Billboard’s Hot Black Singles chart, staying on the chart for 6 weeks.

In 1991, after a brief hiatus, Oaktown’s 3.5.7. released their sophomore album, “Fully Loaded” which didn’t appear to make the charts. The album saw the girls taking more control over their image and music, ushering in a brand new sexy look and sound.

The first single from the album, “Turn It Up” peaked at #66 on the Billboard Hot 100, #19 on Billboard’s Hot Rap Singles chart and #18 on Billboard’s Hot R&B Singles chart, staying on the chart for 14 weeks. 

The song also peaked at #35 on Billboard’s Hot Dance Music\Maxi-Singles Sales chart and #46 on Billboard’s Hot Dance Music\Club Play chart, staying on the chart for 3 weeks.

The follow-up single, “It’s Not Your Money” peaked at #53 on Billboard’s Hot R&B Singles chart, staying on the chart for 11 weeks.

The last single released from the album, “Honey” peaked at #44 on Billboard’s Hot R&B Singles chart, staying on the chart for 9 weeks.

According to the Milk Carton Pop Stars blog, there was a tenative release date for a follow-up extended play called “Fila Treatment,” but it was never released. Due to internal conflict between the management and record company representing the duo, they were released from their management and record contract in 1992.

After that, it seemed as if Oaktown 3.5.7. faded into obscurity. According to a comment I received from Sweet L.D. (now Suhayla Sabir) back in 2010, all three members are doing well. These days (according to research), it appears as if they are still performing.

To see the official Facebook fan page for Oaktown 3.5.7., go to:

https://www.facebook.com/realoaktowns357/

To follow Oaktown 3.5.7. on Instagram, go to:
https://www.instagram.com/officialoaktowns357/

To follow Sweet LD on Instagram, go to:

https://www.instagram.com/sweetld357/

To follow Terrible T on Instagram, go to:

https://www.instagram.com/therealterriblet357/

To follow Lil’ P on Instagram, go to:

https://www.instagram.com/lil_p_oaktowns357/

To follow Sweet L.D. on Twitter, go to:

http://www.twitter.com/@SweetLD357

To follow Lil’ P on Twitter, go to:

https://twitter.com/Oaktowns357lilp

To see a video for “Yeah, Yeah, Yeah”, go to:

To see a video for “3-5-7 Straight At You”, go to:

To see a video for “Juicy Gotcha Krazy”, go to:

To see a video for “We Like It”, go to:

To see a video for “Turn It Up”, go to:

To see a video for “It’s Not Your Money”, go to:

To see a video for “Honey”, go to:

[updated on 12/28/2021]

J.J. Fad

J.J. Fad is a female hip-hop group from Rialto, California during the late ’80s. Their name was originally an acronym of the original group members’ given names, but when the line-up changed, the name stood for “Just Jammin’, Fresh and Def.”

The group formed in 1985 as a quintet consisting of Juana “MC J.B.” Burns, Dania “Baby D” Birks, Anna “Lady Anna” Cash, Fatima “O.G. Rocker” Shaheed and Juanita “Crazy J” Lee.

In 1987, they released their debut single, “Anotha Ho” on the Dream Team Records label which didn’t make any impact on the charts.

J.J. Fad’s next song, “Supersonic” (which was on the B-side to “Anotha Ho”) was first recorded after they pressured their friend, producer Arabian Prince to let them rap during off hours in the studio. 

The song attracted attention when Los Angeles rap music station, KDAY began playing it and Ruthless Records quicky bought the the rights to it and teamed up with Macola Records to keep it in play on the streets.

Due to financial and management disagreements, Anna, Fatima and Juanita quit the group. Afterwards, Juana and Dania were joined by new member Michelle “Sassy C.” Franklin and DJ Train.

In 1988, the group re-recorded “Supersonic” which sold 400,000 copies independently before late rapper Eazy-E and manager\businessman Jerry Heller helped secure them a major-label record deal with Atco Records (which was brokered through Ruthless Records).

The song peaked at #30 on the Billboard Hot 100 and #22 on Billboard’s Hot Black Singles chart, staying on the chart for 14 weeks. It also topped Billboard’s Hot Dance Music\Maxi-Singles Sales chart and peaked at #10 on Billboard’s Hot Dance Music\Club Play chart, staying on the chart for 8 weeks.

The success of “Supersonic” led to the single being certified gold by the RIAA and even earned the group a Grammy Award nomination for “Best Rap Performance”, making them the first all-female rap group to be nominated for a Grammy award. In 2006, singer Fergie used an interpolation of the track for her song, “Fergalicious.”

On July 5, 1988, J.J. Fad released their debut studio album, “Supersonic” which peaked at #49 on the Billboard 200 and #20 on Billboard’s R&B Albums chart. It was certified Gold by the RIAA in September of that same year.

The follow-up single, “Way Out” peaked at #61 on the Billboard Hot 100, #10 on Billboard’s Hot Dance Music\Maxi-Singles Sales chart and #51 on Billboard’s Hot Black Singles chart, staying on the chart for 8 weeks.

The last single from the album, “Is It Love” peaked at #92 on the Billboard Hot 100, making it their last appearance on the Billboard charts to date.

During that time, the group went on their first national tour on Run-DMC’s “Run’s House” tour along with Public Enemy, EPMD and DJ Jazzy Jeff and the Fresh Prince. They were also featured on the soundtrack to the film, “Coming to America” with the track, “Comin’ Correct.”

On December 7, 1990, J.J. Fad released their sophomore album, “Not Just a Fad” which failed to make the Billboard charts. 

Originally, Dr. Dre was going to produce the album, but he wanted to push back the sessions; however, the group decided not to wait on him and it was primarly produced by DJ Yella.

The two singles released from the album: “Be Good Ta Me” and “We In The House” also failed to attract any attention on the charts. During that same year, the group was featured on The West Coast Rap All-Stars’ song, “We’re All in the Same Gang.”

In 1992, the group disbanded. They spent the next couple of years focusing on different careers and raising their families. On July 26, 1994, DJ Train died from smoke inhalation due to a house fire.

In 2009, after spending almost two decades out of the music business, J.J. Fad reunited and began performing again at throwback tours. These days, they continue to perform and tour together.

To see J.J. Fad’s official website, go to:

https://officialjjfad.com/

To follow J.J. Fad on Facebook, go to:

https://www.facebook.com/JJFAD123

To follow J.J. Fad on Instagram, go to:

https://www.instagram.com/j.j.fad

To follow J.J. Fad on Twitter, go to:

https://twitter.com/jjfad

To see a video for “Anotha Ho”, go to:

To see a video for “Supersonic” (the 1987 version), go to:

To see a video for “Supersonic” (the 1988 version), go to:

To see a video for “Way Out”, go to:

To see a video for “Is It Love”, go to:

To see a video for “Comin’ Correct”, go to:

To see a video for “Be Good Ta Me”, go to:

To see a video for “We In the House”, go to:

[updated on 12/28/2021]

Nayobe

Nayobe (born Nayobe Catalina Gomez on December 18, 1967 in Brooklyn, New York) is a freestyle\dance-pop singer from the ’80s.

During her childhood, Nayobe began singing at talent search contests and at community block parties. She even won “Amateur Night” at the Apollo Theater. When she was 11 years old, she auditioned to be in the play, “Annie” where her voice was used behind the stage. She later performed in an off-Broadway production of “The Wiz”.

By the time she was 14 years old, she moved to the Bronx, New York where she met music executive Sal Abbatiello at a skating rink. After winning a talent contest hosted by Sal, she was signed to a record deal with Fever Records.
In 1984, Nayobe released her debut single, “Please Don’t Go” which peaked at #5 on Billboard’s Dance\Disco Top 80 chart, staying on the chart for 9 weeks.
In 1985, she appeared in the film, “Krush Groove”. During that same year, she released her follow-up single, “School Girl Crush” which didn’t appear to make the charts.
In 1986, she released her self-titled debut studio album on Fever Records which didn’t make the Billboard charts at all.
The lead single, “Good Things Come To Those Who Wait” peaked at #15 on Billboard’s Hot Dance\Disco Club Play chart, staying on the chart for 11 weeks. The song also peaked at #34 on Billboard’s Hot Dance Music\Maxi-Singles Sales chart and #74 on Billboard’s Hot Black Singles chart in December of 1986, staying on the chart for 9 weeks.
The follow-up single, “Second Chance for Love” peaked at #30 on Billboard’s Hot Dance\Disco Club Play chart, staying on the chart for 8 weeks. It also peaked at #33 on Billboard’s Hot Dance Music\Maxi-Singles Sales chart.
The last single released from the album, “Guess I Fell in Love” didn’t appear to make any impact on the charts.
In 1988, Nayobe was featured on the soundtrack to the film, “Twins” with the track, “It’s Too Late” which peaked at #5 on Billboard’s Hot Dance Music\Club Play chart (staying on the chart for 10 weeks). The song also peaked at #35 on Billboard’s Hot Dance Music\Maxi-Singles Sales chart. A year later, she was the opening act on Menudo’s “Sons of Rock USA” tour.
In 1990, she released her sophomore album, “Promise Me” on the WTG Records label which peaked at #86 on Billboard’s R&B Albums chart. The album featured production from Teddy Riley.
The lead single, “I Love The Way You Love Me” peaked at #14 on Billboard’s Hot Dance Music\Club Play chart, staying on the chart for 8 weeks. It also peaked at #22 on Billboard’s Hot Black Singles chart, staying on the chart for 12 weeks.
The follow-up single, a cover version of The Spinners’ 1972 song, “I’ll Be There” failed to make any impact on the charts.
Afterwards, Nayobe took some time off and gave birth to a daughter. In 1995, she released the single, “All Night Long” featuring Fat Joe and Rayvon. She was later given a record deal with Sony Records which was supposed to be a two-album deal, but due to management changes within the record label, those plans fell through.
In 1997, Nayobe released her third and first Latin music album, “Dame Un Poco Mas” on the Sony Discos record label which didn’t make the charts.
The lead single from the album, “Let’s Party Tonight (We Can Dance, We Can Fly)” received some airplay on the Mega 97.9 radio station in New York. The follow-up single, “Bailar Y Gozar” (the Spanish version of “Let’s Party Tonight”) didn’t appear to make any impact. In 1998, she provided vocals for Salma Hayek in the film, “54”.
In 1999, she released her fourth self-titled studio album on the Parcha Records label which also failed to make any impact on the charts along with the single, “Como Una Loba”.
In 2005, Nayobe signed with JRS Productions and released a house music single with DJ Mike Cruz called “You’re My Angel” on the Act 2 Records label. According to research (as of 2019), it appears as if she is still performing.

To see a video for “Please Don’t Go”, go to:

To see a video for “School Girl Crush”, go to:

To see a video for “Good Things Come To Those Who Wait”, go to:

To see a video for “Second Chance for Love”, go to:

To see a video for “Guess I Fell in Love”, go to:

To see a video for “It’s Too Late”, go to:

To see a video for “I Love the Way You Love Me”, go to:

To see a video for “I’ll Be There”, go to:

To see a video for “All Night Long”, go to:

To see a video for “Let’s Party Tonight (We Can Dance, We Can Fly)”, go to:

To see a video for “Bailar Y Gozar”, go to:

To see a video for “Como Una Loba”, go to:

Donna Allen

Donna Allen (born on May 15, 1968 in Tampa, Florida) is a dance\R&B music singer from the mid to late ’80s.

Donna was raised in Tampa, Florida where she was a cheerleader for the Tampa Bay Buccaneers of the NFL. She got her start performing in the band Hi-Octane.

After touring with Hi-Octane for a year, she joined the music group, Trama and went on to form her own band called Donna Allen & Company. She was also a background vocalist for singer Gloria Estefan as a member of the Miami Sound Machine for nearly 9 years.
In 1986, Donna released her debut studio album, “Perfect Timing” on the 21 Records label. The album peaked at #133 on the Billboard 200 and #33 on Billboard’s R&B Albums chart.
The lead single, “Serious” peaked at #17 on Billboard’s Hot Dance Music\Maxi-Singles Sales chart. It also peaked at #21 on the Billboard Hot 100, #8 on the UK Singles chart and #5 on Billboard’s Hot Black Singles chart, staying on the chart for 22 weeks.
The follow-up single, “Satisfied” peaked at #92 on the UK Singles chart and #33 on Billboard’s Hot Dance\Disco Club Play chart, staying on the chart for 5 weeks. The song also peaked at #14 on Billboard’s Hot Black Singles chart, staying on the chart for 13 weeks.
The last single released from the album, “Sweet Somebody” peaked at #48 on Billboard’s Hot Dance\Disco Club Play chart (staying on the chart for 2 weeks) and #55 on Billboard’s Hot Black Singles chart, staying on the chart for 10 weeks.
In 1987, Donna was featured on the soundtrack to the film, “Fatal Beauty” with the track, “Make It My Night”.
In 1988, she released her sophomore album, “Heaven on Earth” on the Oceana Records label which peaked at #28 on Billboard’s R&B Albums chart.
The lead single, the title song peaked at #19 on Billboard’s Hot Black Singles chart, staying on the chart for 13 weeks.
The second single, a cover version of Maze and Frankie Beverly’s 1980 song, “Joy and Pain” peaked at #10 on the UK Singles chart and #3 on Billboard’s Hot Black Singles chart, staying on the chart for 16 weeks. The song also peaked at #25 on Billboard’s Hot Dance Music\Maxi-Singles Sales chart.
The last single released from the album, “Can We Talk?” peaked at #80 on the UK Singles chart and #43 on Billboard’s Hot Black Singles chart, staying on the chart for 8 weeks.

In the late ’80s and early ’90s, Donna provided vocals for artists such as Will To Power, Paul Shaffer, Chris Walker, Phyllis Hyman, Gerald Alston, Charles Christopher and Jon Secada.
In 1994, she released the single, “Real” on the Crescent Moon Records label. The song peaked at #34 on the UK Singles chart and #23 on Billboard’s Hot Dance Music\Club Play chart, staying on the chart for 8 weeks. It was featured in the film, “The Specialist”.
In 1997, Donna was featured on East 57th Street’s song, “Saturday” which peaked at #29 on the UK Singles chart.
Two years later in 1999, she released the single, “He Is The Joy” on the Soulfuric Recordings label. The song was featured on the soundtrack to the 2009 film, “Precious.” In 2003, she provided vocals for Soulsearcher’s song, “Feelin’ Love”.
In 2010, Donna released the single, “He’s Got the Power” on the Saving Souls Thru Music Productions, Inc. label.

In 2013, she appeared in the 5th season of the NBC network singing competition series, “The Voice”, but she was eliminated during the Battle Rounds by singer Tessanne Chin (who would ultimately win the show that season).
After her stint on “The Voice”, Donna released her third studio album, “I’m Your Bride” independently in May of 2015.
These days (according to research), she is still performing; in 2021, she released the single, “Tell Me Why”.

To follow Donna on Instagram, go to:
https://www.instagram.com/donnaallenmusic/

To see a video for “Serious”, go to:

To see a video for “Satisfied”, go to:

To see a video for “Sweet Somebody”, go to:

To see a video for “Make It My Night”, go to:

To see a video for “Heaven on Earth”, go to:

To see a video for “Joy and Pain”, go to:

To see a video for “Can We Talk?”, go to:

To see a video for “Real”, go to:

To see a video for “Saturday” (with East 57th Street), go to:

To see a video for “He Is The Joy”, go to:

To see a video for “He’s Got The Power”, go to:

To see a video for “I’m Your Bride”, go to:

To see a video for “Tell Me Why”, go to:

Mico Wave

Mico Wave (born Michael Kerry Lane on December 27, 1959 in Champaign, Illinois) is an R&B singer and musician fom the late ’80s.

Mico grew up in a musical family: his father, Eddie was a drummer and his grandfather, Johnny played the saxophone; he had a band that featured Eddie on drums and his uncle Bobby Lane on the guitar. He began playing keyboards when he was 8 years old and played in a band with his brothers when he was 13 years old. 

When he was 16 years old, he put together a band of his own called Ear Shot which lasted for only a year. Afterwards, he played with his father’s band, Phase Two for three years and went on to play with a music group called Live Wire for a year; at that point, he had dropped out of high school. 

Mico auditioned to be a keyboardist for the Chi-Lites, but returned to Chicago after two days. He returned to his father’s band, but due to conflicts with his father, he quit and formed his own band featuring himself as the lead and only singer.

He later went to work for a community action agency in Peoria, Illinois where he worked as the Project Head Start Teaching Assistant in the area of music and in the agency’s video department. 

In 1984, Mico met his former agent, Bill Waller, who helped him connect with Bootsy Collins after he went to watch one of his rehearsals in the studio. 

After Bootsy heard him sing at the agency, Mico was signed to Bootzilla Productions where he worked as a songwriter for him and other artists that Bootsy worked with at the time.

In late 1984, he moved to Cincinnati, Ohio to work closely with Bootsy. After working with him in and out of the studio for almost three years, he was signed to a record deal with Columbia Records in the summer of 1987.

During that same year, Mico Wave released his debut studio album, “Cookin’ From The Inside Out!!!” which didn’t appear to make the charts.

The lead single, “Misunderstood” peaked at #41 on Billboard’s Hot Dance Music\Club Play chart, staying on the chart for 6 weeks. It also peaked at #70 on Billboard’s Hot Black Singles chart, staying on the chart for 11 weeks.

The follow-up single, “Instant Replay” peaked at #15 on Billboard’s Hot Black Singles chart, staying on the chart for 15 weeks, making it his highest charting single to date.

The last single released from the album, “Star Search” didn’t make the charts. Mico Wave has worked with artists such as Herbie Hancock, George Clinton, Trouble Funk, The Deele, Malcolm Mclaren and Cali Swag District.

In 2016, he composed and produced music for the film, “Restored Me” and composed music for the 2018 film, “Canal Street.”

In 2020, Mico Wave released an EP called “The Definition.” These days (according to research), he is working on releasing new music and preparing for a global promotional tour.

To see Mico Wave’s official website, go to:

https://www.wave-lane.com/

To follow Mico Wave on Instagram, go to:

https://www.instagram.com/micowavemusic/

To see a video for “Misunderstood”, go to:

To see a video for “Instant Replay”, go to:

To see a video for “Star Search”, go to:

[updated on 12/25/2021]